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CMP#138 Guest Post: Jane Austen, Anti-Capitalist

3/31/2023

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It's always a pleasure to encourage young scholars, so I'm pleased to welcome Lura Amandan to "Clutching My Pearls" this week. Ms. Amandan is a postgraduate student at the University of Reinlegen in Germany. Her doctoral thesis is focused on early critiques of capitalism in European literature, and with the kind permission of her faculty advisors, I am sharing an excerpt from her truly groundbreaking work-in-progress concerning Jane Austen and capitalism. My six questions for Austen scholars post is here.

Jane Austen, "A Marxist Before Marx"
PictureKarl Marx and his daughter Eleanor: was her name inspired by Austen? (Source: British Library)
    ​As many scholars of Austen have long pointed out, Jane Austen intended to use Sanditon to explore the social and moral consequences of capitalism. Sadly, Austen laid the manuscript aside during her final illness. Interrogating Austen through a critical lens reveals that she was a committed anti-capitalist who was determined to fight back in the only way she could--through her pen.
    I am not referring to Austen's well-known portrayals of the landed gentry and the lesser nobility, but rather, her subtle attacks on the pernicious influence of consumerism. To a startling extent, the buying and selling of things and the rise of the
 urban bourgeoisie forms a backdrop to her so-called marriage plot novels. Scholar David Daiches called Austen "a Marxist before Marx." 
   
   It is no exaggeration to say that Austen shows us whether a character is good or bad by their reaction to consumerism. Two of Austen’s heroines never step inside a store--Elizabeth Bennet and Fanny Price. And, significantly, the heroines who do go shopping always live to regret the experience. It is only the fops and fools who like to shop, as we will see. Austen’s message could not be clearer: Capitalism is the root of all evil. Let’s critically take the novels one by one...


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CMP#137  Melinda, the Prim and Proper Heroine

3/27/2023

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If you want superb writing and amazing delineations of character, you can't top Jane Austen. If you want a female author of the long 18th century who discusses imperialism, the status of women, race and class, there are plenty of writers who were more explicit on these issues. I've been featuring some on this blog. Today, meet "M.E."

CMP#137   Book review: The History of Melinda Harley
PictureDrifting off with a book
    “Miss Melinda Harley, of Yorkshire, may pass well enough for a country body; but really her history was not worth bringing up to town.”
    So goes one of several dismissive contemporary reviews for The History of Melinda Harley, Yorkshire (1777). The Westminster Review gave it only one sentence: “the history of an ephemera, that is born and dies on the same day.”
    Another reviewer joked: “It is the general character of many romances, that they are good for nothing; but we must except the History of Melinda Harley from this censure, for we can affirm, from our own experience, that it is admirably calculated—to procure sleep.”
    Ouch, ouch, and ouch, anonymous authoress! I feel for you. Yes, the plot is slight, the characters are wooden, and the detail is sparse, but I became quite interested in the wide variety of moralizing comments that Melinda Harley trades with her BFF Amanda Beaufort while Melinda is away visiting with family friends. The girls share their thoughts on the folly of dueling, the pending loss of the American colonies, and the consolations of religion.
   Some of their exchanges are the sort Mary Bennet would approve of:​
​ “Most of our wants are artificial, and his happiness is much better assured who has learned to contract his desires.” “It is a great inducement to the exercise of benevolence, to view human nature in a fair light, and to put the best construction on one anothers’ actions.” Some remarks are explicitly political or feminist in tone.
  Some of these epistolary sermonettes touch on situations with similarities to Austen novels. I am not saying Austen drew from this novel, rather, that both writers drew from topics and situations prevalent at the time. I will share a few examples but I won’t point out which passage in which Austen novel they remind me of. If you’re not a Janeite, it won’t be relevant to you, and if you are a Janeite, you don’t need me to tell you...


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CMP#131  Book Review: Nobility Run Mad (1802)

2/13/2023

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This blog explores social attitudes in Jane Austen's time, discusses her novels, reviews forgotten 18th century novels, and throws some occasional shade at the modern academy. ​The introductory post is here.  My "six simple questions for academics" post is here.

This post is about a forgotten four-volume novel, and is part of an exploration of portrayals of merchants from Bristol and their families in novels of this period. I'm interested in this topic because of Mrs. Elton.

CMP#131:  Nobility runs mad (and Bristol merchants are vulgar and avaricious)
In Emma, we’re told that Mrs. Elton's father was a Bristol merchant. This is narration filtered through Emma’s point of view (emphasis added)
She brought no name, no blood, no alliance [to her marriage with Mr. Elton]. Miss Hawkins was the youngest of the two daughters of a Bristol — merchant, of course, he must be called; but, as the whole of the profits of his mercantile life appeared so very moderate, it was not unfair to guess the dignity of his line of trade had been very moderate also. Part of every winter she had been used to spend in Bath; but Bristol was her home, the very heart of Bristol; for though the father and mother had died some years ago, an uncle remained—in the law line—nothing more distinctly honourable was hazarded of him, than that he was in the law line.
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Mrs. Elton's first appearance in Highbury was at church.
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   Yes, Emma is being a snob, but Mrs. Elton lives down to her expectations: she is comically inappropriate in social situations, pushy and obnoxious.
    This is no less than what a reader of the time would expect, because Mrs. Elton's father was a Bristol merchant. I'll explain presently.
   First, what does Austen's little dash between “Bristol” and “merchant” signify? You can almost hear the the dismissive snicker. is Austen hinting that Mrs. Elton's father was a slave-trader?  (cont'd)
​


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"Ungrateful is a Strong Word": Father's Day Post

6/19/2022

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Father's Day Post:  "Ungrateful is a Strong Word"
   For Father's Day, I just have one little thought to share: two of Austen's heroes, Henry Tilney and Edmund Bertram, are particularly prone to correcting their heroine's word usage. Have you noticed?  Here are some examples:
    In Mansfield Park, Edmund asks Fanny what she thinks about Mary Crawford's sarcastic remarks about her uncle at dinner the night before:
    “I thought you would be struck, (says Edmund]. It was very wrong; very indecorous."
    “And very ungrateful, I think.” [says Fanny]
​    “Ungrateful is a strong word. I do not know that her uncle has any claim to her gratitude; his wife certainly had; and it is the warmth of her respect for her aunt’s memory which misleads her here."
   In Northanger Abbey, Catherine asks Henry and his sister, "But now really, do not you think Udolpho the nicest book in the world?”
    “The nicest—by which I suppose you mean the neatest. That must depend upon the binding.”
    “Henry,” said Miss Tilney, “you are very impertinent. Miss Morland, he is treating you exactly as he does his sister. He is forever finding fault with me, for some incorrectness of language, and now he is taking the same liberty with you. The word ‘nicest,’ as you used it, did not suit him; and you had better change it as soon as you can, or we shall be overpowered with Johnson and Blair all the rest of the way.”
    “I am sure,” cried Catherine, “I did not mean to say anything wrong; but it is a nice book, and why should not I call it so?”
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    More about me here. My earlier posts (prior to June 2017) are about my time as a teacher of ESL in China,(just click on "China" in the menu below.) more recent posts focus on my writing, as well as Jane Austen and the long 18th century. Welcome!


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