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CMP#116  Misunderstanding Netflix's Persuasion

7/19/2022

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CMP#116  "Misconstructions of the most mischievous kind."
PictureA plausible rival in Mr. Elliot
     No, we don't need another review of the Netflix Persuasion but I want to make three observations. First and most important, the key way the movie is different from the novel--the film-makers embraced an approach which Austen herself rejected.
   In the book, after the concert where Wentworth gets jealous as he watches Mr. Elliot with Anne, she has the "delightful conviction" that Wentworth still cares for her, but she can see he is labouring under a misunderstanding. Anne worries about it. Due to social conventions, she cannot just walk up to him and let him know she still loves him. "How was such jealousy to be quieted? How was the truth to reach him? How, in all the peculiar disadvantages of their respective situations, would he ever learn of her real sentiments?"
    Yes, how? The only impediment to Anne's Happy Ever After is the social convention that women did not declare their affection to men. That's it. Well, better she run the risk of losing Wentworth again, than go against the social convention! Will misunderstanding keep our lovers estranged from each other?....


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CMP#115 Clarissa: the Unromantic Heroine

7/11/2022

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Clutching My Pearls is my ongoing blog series about my take on Jane Austen’s beliefs and ideas, as based on her novels. I’ve also been blogging about now-obscure female authors of the long 18th century. For more, click "authoresses" on the menu at right. Click here for the first in the series.  

​ CMP#115  "As scenes of courtship are truly uninteresting" 
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  The many generous subscribers to Miss M.C. Squire’s first novel, The Beggar and His Benefactor (1809), must have wondered if they got their money’s worth. The book is only 120 pages long; it’s  the barest sketch of a novel grafted onto a travelogue about Plymouth and Cornwall. For a novel of the long 18th century, it's singularly devoid of sentiment or sensation.
    So why is Miss Squire my author of the week? 
 Well, for one thing, even trite and second-rate novels give me food for thought about the opinions and preoccupations of Austen's era. I'm learning about attitudes toward the class system and relations between the sexes. And for another, I'd like to bring Miss Squire to the attention of scholars because Squire uses people of color to teach a moral lesson in her first novel and her second novel includes a narrative of the slave trade. But first, a bit about the plots of her two novels...


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CMP#114  Ann Ryley: Runaway, Wife, Actress

7/1/2022

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This post concludes my series on Ann Ryley (1760-1823), forgotten Regency novelist. For the first in the series, click here. For the first post in "Clutching My Pearls," a blog about Jane Austen and her times, click here. 

PictureBartolozzi after Morland, "The Elopement"
CMP#114  Ann Ryley: Comedy and Tragedy
      I've been examining the outspoken political opinions of the forgotten novelist Ann Ryley for a full week and I haven't really gotten into her portrayals of snobby aristocrats! I will return to that later as part of a more general discussion of the portrayal of the nobility in novels of this era. For now, I'll finish off my tribute to Ann Ryley with a look at her life.
       As I mentioned in the last post, Ann tread the boards with her husband, who was an actor, comedian, and sometime theatre-manager. One of the plays in the Ryleys' repertoire is 
The Clandestine Wedding (1766), a comedy about young lovers who marry secretly. (Jane Austen saw this play performed at Covent Garden, but she did not see the Ryleys because they never made it out of the provinces to the big time.)
      In this comedy, 
Ryley's husband played a rickety old nobleman who mistakenly thinks Ann's character has fallen for him. This is especially awkward for Ann's character (Fanny) because she's already secretly married to her father's clerk. Fanny’s sister, meanwhile, is looking forward to a mercenary marriage, exchanging her father’s wealth for a noble title. “Love in a cottage!” she sneers to Fanny. “Ah, give me indifference and a coach and six!” 
     Ann Ryley knew all about love in a cottage... 


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    About the author:

    Greetings! I blog about my research into Jane Austen and her world, plus a few other interests. My earlier posts (prior to June 2017) are about my time as a teacher of ESL in China (just click on "China" in the menu below). More about me here. 


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